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'The Moth and The Bat Flying to The Light' is an artistic project telling the story of the Other from the perspective of human and animal. The artist is interested in the limits of 'one's own' and 'someone else's' as well as the mechanism of this opposition in the human community at both the social and physical levels. As the title of the project implies, the images of the moth and the bat are the starting points for the artistic investigation. The animal world becomes a metaphor for processes within the human community and represents the self-sufficient yet fragile world of the Other.
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The main character simultaneously one of the most mysterious images in the project is an androgynous nude character performed by the artist himself. This creature represents the quintessence of the Other in the form of a non-binary and agenderic being that is unable to find its identity. Being born from a transparent pleura inside a zoo cage, this creature is doomed to remain in a borderline state of continuous search. It can’t determine its characteristics since it is always wearing a mask. Throughout the project, it will try to realize who or what it is: an animal or a human, a woman or a man, a child or an adult and so on. In its search, it acts as a fragile and innocent creature, who still can’t self-actualize in any way.
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Most of the video that is on display was filmed at the Papiliorama Zoo in Switzerland. At the beginning of 2021, Ilya joined a Swiss artistic residency , where he was going to start a new art project about euthanasia. However, due to the COVID-19 pandemic, this project couldn’t have been implemented. Then Ilya accidentally recalled a story of his friend from Paris and discovered a zoo near the city where he lived. It turned out to be one of the largest zoos in Europe, where various animal habitats were artificially recreated, including a tropical forest, and there were two huge sectors there, one with moths and other insects, and the second with nocturnal creatures, including Chiroptera and Megabats. During the pandemic, the zoo was closed to visitors, so Ilya was allowed to film on the territory. “The zoo was opened for me personally,” says Ilya. “The staff gave me a tour and then left, leaving me there on my own to wander all around the zoo to my liking. I believe that was the happiest moment in the last 2 years.”
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Илья Федотов-ФёдоровThe Mosquito | Комар, 2021Stainless steel, laser engraving | Нержавеющая сталь, лазерная гравировка47 x 47 cm
18 1/2 x 18 1/2 in₽ 200,000.00View more details -
Илья Федотов-ФёдоровThe Moth | Мотылек, 2021Stainless steel, laser engraving | Нержавеющая сталь, лазерная гравировка50 x 100 cm
19 3/4 x 39 3/8 in₽ 280,000.00View more details -
Илья Федотов-ФёдоровButterfly on the windscreen | Бабочка на лобовом стекле, 2021Stainless steel, laser engraving | Нержавеющая сталь, лазерная гравировка47 x 47 cm
18 1/2 x 18 1/2 in₽ 200,000.00View more details
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One of the halls of the exposition space became a total installation «Aviary for Transformation». There is a polished metal chair in the room, which, on the one hand, refers to medical discourse, resembling either a gynecological chair, or an operating table, or a medical dental chair, and on the other hand, this construction itself looks like an awkward insect-like creature.
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The poetics of blue in the exposition and the video on the one hand refers to the experiments with bats, and on the other, reminds us of filming by night vision cameras. Insect vision is shifted towards the violet side of the spectrum, as if they saw the world in cold shades. The blue color at the exhibition reminds of how nocturnal creatures - moths or bats - see the world.
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The central piece of the project is an eponymous three-channel video installation that combines all the stories aforementioned. In fact, this is the artist's video essay telling about the Other from an interspecific perspective. The artist explores the idea of merging a non-human animal and an Other human in order to demonstrate how ‘otherness’ originates in both the animal and human worlds. Within the human community, others are individuals and social groups that have been excluded from the conventional social order and oppressed: sexual and gender minorities, people who look or act differently or bizarre, unlike other humans, and racial and ethnic minorities, as well.
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The masked androgynous creature was born in the zoo and is undergoing a weird transformation, meeting moths that are presented in the video both in there real diguise and metaphorically - by means of dancers. Choreography in the project is a reference to incomprehensible animal experience. Three performers demonstrate different states of moth transformation, using auxiliary objects that represent insect antennae, legs and proboscises. One of them is vogueing, tough and fast choreography of the dance resembling movements of insects. Moreover, this dance style is directly related to the Other in the context of gender issues. Vogue has originally been a dance of sexual and gender minorities, introduced by drag queens, as well as African and Latino gays who copied the model poses from fashion magazines.
In the end, the Androgyne meets an anthropomorphic creature in a moth’s mask, and communicating with it, seems to finally find an answer to the perennial question of its self-identification.
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Илья Федотов-ФёдоровA Field for the Butterfly and the Bat Having Fun | Поле для бабочки и летучей мыши, которые веселятся, 2021Ceramics | Керамика30 х 20 cm₽ 120,000.00View more details
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Илья Федотов-ФёдоровA Field for the Butterfly and the Bat Having Fun | Поле для бабочки и летучей мыши, которые веселятся, 2021Ceramics | Керамика30 х 20 cm₽ 120,000.00View more details
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Илья Федотов-ФёдоровLive on Our Proboscis | В памяти наших хоботков , 2021Ceramics | Керамика27 х 25 х 20 cm₽ 240,000.00View more details
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Илья Федотов-ФёдоровA Fountain | Фонтан, 2021Ceramics | Керамика43 х 24 х 12 cm₽ 320,000.00View more details
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Илья Федотов-ФёдоровUntitled | Без названия, 2020Ceramics | Керамика175 х 75 cmSeries: Museum of rituals | Музей ритуалов₽ 960,000.00View more details
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Илья Федотов-Федоров, A Large Refuge for a Grey Moth | Большое укрытие для серого мотылька, 2021View more details
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Илья Федотов-ФёдоровA Refuge for a Big-Eyed Grey Moth | Укрытие для серого мотылька с глазами, 2021Pastel, acrylic on canvas | Холст, пастель, акрил120 x 80 cm
47 1/4 x 31 1/2 in₽ 600,000.00View more details -
Илья Федотов-ФёдоровA Refuge for a Tiny-Legged Grey Moth | Укрытие для серого мотылька с лапками , 2021Pastel, acrylic on canvas | Холст, пастель, акрил120 x 80 cm
47 1/4 x 31 1/2 in₽ 600,000.00View more details
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Илья Федотов-Федоров, A Refuge for an Antennaed Grey Moth | Укрытие для серого мотылька с усиками, 2021View more details
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Илья Федотов-ФёдоровA Love Totem | Тотем любви, 2020Pastel, acrylic,
watercolor on plywood | Фанера, пастель, акрил, акварель42 x 30 cm
16 1/2 x 11 3/4 in₽ 225,000.00View more details -
Илья Федотов-ФёдоровHunting with a Pipe | Охота на трубку, 2021Pastel, ink on canvas | Холст, тушь, пастель70 x 50 cm
27 1/2 x 19 3/4 in₽ 375,000.00View more details -
Илья Федотов-Федоров, Hunting with Flowers | Охота на цветы, 2021View more details
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Илья Федотов-ФёдоровThe Snake and the Bat in Embrace | Змея и летучая мышь обнимается , 2021Acrylic on canvas | Холст, акрил50 x 60 cm
19 3/4 x 23 5/8 in₽ 350,000.00View more details -
Илья Федотов-ФёдоровRitual Museum Molds 2 | Слепки музея ритуалов 2, 2021Plastic | Пластик50 x 40 cm
19 3/4 x 15 3/4 in₽ 280,000.00View more details -
Илья Федотов-ФёдоровRitual Museum Molds 1 | Слепки музея ритуалов 1, 2021Plastic | Пластик50 x 40 cm
19 3/4 x 15 3/4 in₽ 280,000.00View more details
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THE MOTH AND THE BAT FLYING TO THE LIGHT: ILYA FEDOTOV-FEDOROV
Past viewing_room